我们的失败

8.4

类型：动作地区：英国年份：2020 语言：中字

主演：/Swann Agha/Natasha Andraos/Gha?s Bertout-Ourabah/Jackson Ellis/Julie Escobedo/Rosalie Magnan/Alaa Mansour/Marine Rouie/Floricia Yamondo/Martin Zellner/

导演：李怡奔,希瑟·海德利,Julian Hensey

上次更新：2025-01-11 22:24:36

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剧情介绍

《我们的失败》影片介绍:2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?... 《我们的失败》影片介绍:2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?... 详情

影片评论

月亮月亮:刚刚

当时它被用于把光敏的化学药品粘在玻璃上，来制作类似于今天照相胶片的同等物。
小黄新月:3分钟前

文戏的剧情也靠着孔刘与朴宝剑在线的演技给予了观众一定的代入感。
幻星祈月:2分钟前

㈡有哪部外国电影讲述的是一个女人为了留在国外而假结婚。好像还是个名人。
小懒虫:6分钟前

悬崖上的裘庄有东西两楼、两楼间的跨海桥、山间石阶以及悬崖上的木制露台，全部是由剧组工作人员手拿背扛运上山并手工制作而成。
苍梧腾仙(书坊):7分钟前

这时Hester流淌的意识再度把我们带入了另一个时空场景，一个高挑清秀挺拔的男人，（男主角Freddie）站在一个美丽的花园里向观众微笑，镜头一转，原来他是朝我们的美人Hester抛着媚眼。
乔西:2小时前

雷米（裘德·洛）受雇于联邦公司，他是公司中身手最为矫健，也是前途最不可限量的回收员。
愚洋:4小时前

本届北京国际电影节将组织“天坛奖”评奖、开幕式、北京展映、北京策划·主题论坛、北京市场、电影嘉年华、大学生电影节、闭幕式暨颁奖典礼、“电影+”九大主体板块及相应活动。
剑语潇湘:6小时前

于是，父亲便决定出去打工，据说是在一家鞋厂打工，过了一年，父亲回来了，腿上全长满了痱子。
淮瑾渔:2小时前

正植这样能把自己的保险绳割断换来陌生人甚至是情敌活命的英雄是否存在？这也是我看过之后长想的问题。
野荷的香馥:1天前

当时，记者收看凤凰卫视实况转播，见到上千歌迷等候在法院外，为走出法院站到轿车顶上致谢的迈克尔·杰克逊欢呼。